ZEN DOODLES

Buddha was sitting in the top row of the vending machine, waiting for the za-zing of coins to drop.

He sat there, all zen in his lotus position, acting as if being between nacho chips and cheese puffs was instant nirvana.

I put in my quarters and watched transfixed as the unpretentious spiritual master floated down into the metal receiving tray.

I chose serenity over empty calories on a dreary Monday.

Besides, who expected Buddha to arrive at snack time?

Copyright 2009

NANA’S DAY OFF

What does Nana do on her day off?

Wendy, Michael, and John can’t be much of a problem.

They’re such Darling children – the future of Great Britain, kneaded and cut out of the thick upper crust, starched oxford souls sewn tight to silver spines, stiff upper lips refusing to pucker around a whistle or a kiss.

Most of their time is spent balancing exotic accents on the ends of nasal syllables.

These are not the hooligans who play with matches in highly flammable closets, the ruffians who roll classmates for tea and crumpet money, the urchins who draw filthy graffiti on the whitened walls of the puritan pysche.

No.  Not Wendy, Michael, and John – the Darlings.

The worst mischief they can imagine is to wear mother’s and father’s conservative chapeaux and waltz (dare say it, waltz!) around their baby blueblood nursery in imitation of some madcap version of a Victorian soiree.

Nana undoubtedly wiles away her working hours in the mundane drudgery of guardianship, retrieving a silk stocking here, fetching cod liver oil there, all the while enduring the ignominy of an inane nanny head covering.

It is a dull and dreary lot, even for the family pet.

So…what does Nana do on her day off?

Now there is a story to rival that of Neverland’s mancub, Mr. Barrie.

Perhaps one day I will sprinkle flea dust over the nursery surroundings and follow her adventure.

Good Nana.  Sweet Nana.  Nana gone feral on her private day off, howling pathetic profanities of the working class at an apathetic moon, rolling insanely in the detritus of unwritten storylines, burying the gnawed shadow of another unsuspecting Pan.

Copyright 2009

THAT WAS THEN AND THIS IS HOW

The photography exhibit consists of three galleries of gel-print portraits circa 1947-1965.

It is an odd time of day and I am the solitary breathing soul in a mausoleum of muted ghosts.

Each captured image of a life no longer lived holds me in an observer-subject bearhug of a quest for immortality.

Can I give them what they most want?

Can I search for that moment in time when their eyes electrified space through a camera lens and asked me a favor?

I give unabashed attention to a gangly group of adolescent boys in jeans and white t-shirts, Uptown Chicago, 1953.

I can smell their Brylcream and cigarettes.

I can see the testosterone almost curl the edges of the printed paper.

I gave them what they wanted most when I was with them.

Do I really owe them that much more now that they are no longer here?

A quick check confirms there is no guard on duty yet.

I place a fingertip on each eager boy and close my eyes.

copyright 2009